Відео

sounds amazing!

Hi, thanks for all your videos, they are a great resource and I learn new things with various hardware I have throughout your channel. Out of curiosity what is the purpose of this as opposed to something like making a midi channel in the mpc and just triggering the sounds from the external device almost like a sound module? Running its audio outs into a interface or something and tracking them both in real time. Is it just the clock is shifting or something? Also is the sequence for the roland recorded separately here or the data is being played from the mpc in real time, im assuming this is more so like a transport control thing where you actually recorded a sequence on the secondary device and you want them to "play" both machines simultaneously. As a secondary question what would be the advantage of something like this versus just using the externals like a rack unit and having all the data in the main device? I currently have 2 external machines hooked to my modern mpc and I use the modern one mainly as the brain to sequence everything else but trigger them in real time, would be curious if that is still the most efficient way of doing things or if there would be things to gain not using midi tracks in modern mpc and just triggering the sound banks in real time. Specifically an asr 10 and a 2kxl running into the live 2. Thanks in advance.

Excellent Tutorial

Now is more clear to me about deleting. Thank you!

How do you delete the notes from the pads? I'm re-watching it again, maybe I missed it...

no effects. perfect. what an angry wee beast the 101 is ...

At 23:00 or so, did you add a reverb pedal to the setup? I just bought a 2016 reissue and this video was SO helpful, despite the addition of features on the newer ones.

Fuck yes🎉

I might be just as confused about the ASR-10 after learning all about it hahaha Is it just me (maybe due to coming up on Akai S2000, MPC2000 etc), but also did Ensoniq just do stuff in pretty weird ways?

Very nice Deceptively simple but there are some hidden tips and tricks that make this a unique synth. I’d never sell mine now (mines a 1985 built model :) It can sound hard and bright but also soft and warm if you know how to do it. The negative envelope is lots of fun…

What genre would this be so many beats have been made with these sounds idk any more

I have the mpc x and sp 1200 How can I connect them Midi out of the mpc x to midi in of the sp 1200

I have a mpc x I would like to connect the mpc x and the sp 1200 How do I accomplish this

can you give us the 909 patterns pls?

Didn’t really hear big difference until you went to the 909 beat. Hearing way less high end detail on the sp1200 in that clip. Obviously, the sample rate of the 1200 is just too low to reproduce frequencies above 13k. And if the DBs are peaked on both machines, that is going to leave more room for bass frequencies on the 1200. Low pass on the MPC at 13k BEFORE the converter, and I doubt there would be much difference at all

Great equipment!!!😅.

27:16 MIDI panic button tip very helpful. Thanks.

Oberheim DX sounds for Ensoniq ASR-10.

My mpc one just decided to not send midi to abelton . Enraging

Step up in S1000 display and programming is immense from S950 that was released the same year 1988… I wonder why they released both at the same time

Great comparison as usual. Thank you. Is there a sound different between the MPC x gold vs MPC x se?

They're both very similar in sound. To my ear, the attack of transients seem a bit more pronounced and I also have a feeling that there's a little bit of either a bump or a high shelf in the higher frequencies on the 2000XL. Both machines are marvelous, I'm an owner of the 2000XL and have never owned a 3000. Very cool video!

I may own more synths... but combined they aren't worth but a one of those.

Two things make this synth great- the filter and the best ever chorus on any instrument.

I owned a Juno 106 for many years, wish I still had it! Its a bit of a limited synth in many ways, but that made it easy to learn synthesis on. It may of only had one oscillator, but with the sub bass on (always an octave down) it's almost as if you have two (plus you can have square/pulse and saw on at the same time, but no control over them individually). Honestly the synth doesn't sound that good without chorus, thankfully it's such a great chorus though. The sub bass always sounds like distorted, is part of the sound of the synth but not always something I wanted. For example using a proper 2 DCO synth, you can pitch the square down one octave to get a similar sound to the Juno sub... but it sounds different (IMO better).

This video is a lifesaver! Thank you very much!

Hello, Thank you so much for the tutorial! I have a question about sync : When I sync my Mpc as slave to other device Keystep pro or Ableton... I have always some not from the Mpc that are triggered randomly ! It look like the midi channel of the mpc is interfering with other channels. Can you please explain how you can avoid this. Thank youuuu

Colors shootout finale -

listening on a bose Bluetooth speaker and you can hear the difference clearly...the se hits harder

This was clutch!!!

Nice Mate , I love my 555 too !

Multi lock to LogicX?

What is Multiclock?

Lock the clock to Logic?

Best demo I’ve seen of the Juno6. Love it!

My whole career as a producer started with this machine back in 93. I used to love it and thought about getting it again as a collectors item, then I saw it going for like $1500. It was about $1800 back then. There's NO WAY that I would pay more than $300 for this as it is incredibly antiquated for use in today's world. To each their own though.

close to the original, very impressive!

This is an absolute godsend, thank you so much!

Did you play it dry or with an external effect gear?

This was a very good tutorial! Thanks for doing it. I'm an old musician from Finland and I've been using synthesizers for a long time. I've seen many synth videos and this was actually one of the best I've ever seen. I wish these videos would've been available when I started. There's just a couple of things I'd like to point out. This might be helpful to your viewers: 10:37 - The wave selection made at this point was a triangular wave (triangle) and not a sawtooth wave (saw). I've seen many great people making these small mistakes by accident. So, not a big deal but I just liked to point that out. It might've confused some people. 15:21 - The envelope always modulates only the filter's cutoff frequency (and not the emphasis/resonance at all). The cutoff frequency is always the default if you can use an envelope to modulate the filter. Any option to modulate the resonance is extremely rare especially on vintage synthesizers. The emphasis/resonance adds a peak to the frequency, which has been currently set by the cutoff frequency knob. So, adding some emphasis/resonance makes the changes of the filter's cutoff frequency much more expressive. Modulating the filter with an envelope is one of the best ways to make a sound more alive. When you set the envelope controls a certain way the synth can even respond to your playing style. (So, when you play faster, then all the Attack, Decay, Sustain & Release stages of the envelope won't always have time to fully trigger yet.) You can achieve something that's a tiny bit closer to having a modern velocity sensitive (touch sensitive) keyboard. It's also quite common that the emphasis/resonance goes to such extreme levels that it produces its own audible sine wave. Turn all the oscillators off and try using the full 100% keyboard filter tracking. Then you could play perfect notes using only the filter. Anyway, I just needed to add a few things. Maybe there were a couple of interesting tidbits as well. Nothing is perfect but this video got very close. Take care and I hope you're having a great day.

great demo.

thanks, i thought i knew everything about the sp but one can learn everyday, any chance youll do an ensoniq EPS one day?

i am only thirty minutes in and i can say that this is the most informative guide i yet to come across

And just when i thought i was getting the hang of this synth (IOS) version i come across this video, and how glad i am that i did. I had this app for a few years and finally decided since i paid for it i should make use of it. I've watched plenty of videos on this synth and i must say this was the first to explain the orange rocker switches in a manner in which i understand. You can read something all day but not until it's demonstrated are you really able to get a good understanding of how it works and this did it for me. Also i love Oberheim X's and O's and the Prophet 5 but it seems to me the minimoog can imitate those synths more than they are able to mimic the minimoog. imo.

Thanks for helping me learn my EPS 🫡

Great video! Thanks

Yo Rocket man....check out this uzi. Definitely gonna tighten up PacMan's shit homeboy

I’m getting Looker (the movie) vibes around 10:12! 😎

😁👍

These JUNO series and the SH-101 video was fantastic. Thank you for doing these. I unfortunately don't have the real thing, but this really helps to understand the virtual and clone versions. BTW, requesting a Korg MS-20. Pretty please. :)